End of the Nation State

End of the Nation State


End of the Nation State

End of the Nation State was the result of a series of thought experiments I did (as a participant and eventually as residency leader) at the End of the Nation States residency at the Banff Centre, throughout 1995. The installation materializes my reflections on what were for me (then) nascent notions of international terrorism, extirpated natural history and computer-controlled pirate broadcasting.

Children:

sequenced clock radios

clock radios
year: 
1997

These clock radios were tuned to a small pirate FM transmitter that broadcast 24 hour a day Salsa music. The radios were sequenced through an X-10 system so the sound would move from one radio to the next, with the radios turning themselves off and on automatically.

Parent:

bomblets

bomblets
year: 
1996

These replica bomblets, (explosive charges replaced with dirt) had triggering mechanisms made of a match attached to a mouse trap and a strip of sand paper.

Parent:

turtle fetish objects

turtle fetish objects
year: 
1996

These fake wooden turtles are cardboard mock-ups of the actual wooden turtles once used by the Cuna Indians in Panama who caught real sea turtles with them, when they tried to mate with their wooden simulacra.

Parent:

Light Boxes

endof.2.jpg
year: 
1993

Light boxes showing members of Peru's 'Shining Path' movement and the Baader-Meinhof group.

This was part of an ongoing investigation into the apparent charisma of terrorism and why certain people get swept up by these movements.

Parent:

Installation shot

endof.1.jpg
year: 
1995

End of Nation State overall installation shot. Banff Centre for the Arts, 1995.

Parent: