THE SHOW SO FAR

The old growth forests of Vancouver Island are almost gone. The overwhelming majority have already been cut down and in many cases what has grown back has been whacked back several times over, leaving us with a landscape which, while wooded and at times even beautiful, is basically a ravaged, stunted version of something that was once truly glorious.

On Cortes Island, British Columbia where I live, the forest is an unusual ‘dry rainforest’ known as the (the very dry eastern variant of the Coastal Hemlock zone), which has less than 1% its original forest cover remaining. Some of the finer groves are about to be razed, put on container ships and shipped overseas by a company called Island Timberlands, itself set to be partially bought out by the $480 billion China Investment Corporation (CIC). Under the rules of globalized, neo-liberal economics this is all perfectly legal and in fact encouraged by a compliant provincial government who have been major recipients of forest industry campaign donations during the last election. To reward their benefactors, the BC government further gutted the already weak legislation governing the protection of the environment on private forest lands to the point where it has essentially been left to regulate itself.

The destruction of Cortes’ forests might have started any day now, were it not for outraged citizens physically putting themselves on the line to prevent Island Timberlands from starting its logging operations. This is truly a last ditch effort, noble but doomed to failure unless someone in political power steps up to the plate and comes up with a way of saving this piece of a vanishing ecological heritage.

Yet in a bizarre mirroring effect, as the real world’s ancient forests disappear before our eyes, they proliferate like never before in the simulacrum world of video games and fantasy films.  From The Hobbit to World of Warcraft the old growth archetype lives on as a majestic and mysterious backdrop for the exploits of our avatars and fictional heroes. We are drawn to the these places in our imagination, yet can’t prevent ourselves from destroying the last examples of the real thing. Perhaps we will come to prefer them pixellated. Perhaps we already do.

cherry blossoms at Brooklyn Botanical Gardens

Weeping cherries at Brooklyn Botanical Gardens

There are few things as lovely as the annual eruption of cherry blossoms – a time of year I very much look forward to on Canada’s West Coast.  Vancouver is well known for its cherry-lined streets, which at this time of year can make moving through the city an almost psychedelic experience, with pink and white blossom clouds floating everywhere just overhead and petals drifting down to the rain-beaded pavement like kisses on tears.

Sakura zensen refers to the front of blooming cherry blossoms that creeps from south to north up the Japanese archipelago every spring. Blossom time is eagerly awaited all over the country and is marked by hanami celebrations, during which people eat and drink under the trees, whose short-lived flowers are revered as symbols of ephemeral existence. There is even a mathematical formula to predict blossoming time as a function of temperature and latitude, and the blooming is tracked with a precision that might elsewhere be accorded to dangerous weather systems.

For me, as for many others, the arrival of the cherry blossoms, no matter where I am, serves as a welcome harbinger of the season – a real sign the glumness of winter has been banished by the nascent radiance of spring.  With this year’s unseasonably early warmth on North America’s east coast, the sakura zensen there seemed a little rushed. The Okame cherry sapling that had been planted a couple of years ago in front of Ruthie’s East 7th St. apartment was already sending out tendentious blooms by mid February, and by the time the end of March came around, the collection of weeping cherries at the Brooklyn Botanical Gardens was in full display. Laid out in the classical ‘hill and pond’ style, the BBG’s Japanese garden is one of the oldest of its kind in North America, having been established in 1914-1915 by the seminal Japanese landscape designer Takeo Shihota. By now, many of the trees are splendidly old and have a picturesqueness in their gnarled trunks and arching branches that contrasts beautifully with the delicacy of their pastel-hued, floral cascades that strew their petals onto the surface of the quiet pond, to be nuzzled by the whiskered snouts of carp.

In a kind of meditation on ephemerality, filmmaker Lucy Walker has released a most poignant movie she calls The Tsunami and the Cherry Blossom, which Ruth and I recently went to see at the Japan Society. Walker interleaves the joy of witnessing the cherry blossoms’ annual return with harrowing, first-person accounts by tsunami survivors who witnessed their friends and family get swept away to their deaths, and who must now manage somehow to get on with their lives. Though it is hard to see how anything good could come from such an epic disaster, Walker’s film gives us an insight into the Japanese sensibility of  mono no aware; literally ‘the pathos of things,’ reminding us, even in the face of catastrophe, to love each other and to value each precious moment we are allotted, before it too drifts away like a petal on the wind.

Tompkins Square's American Elms

The hot breath of a globally-warmed, East Coast spring brings with it many surprises. A friend of mine, a young woman, writes to me from the surreal mid March heat of Montreal, the doors and windows of her apartment all open.

‘Is it you who once spoke of the new phenomenon of grieving natural landscapes? How about grieving a Season? Winter is a part of me. A genetic part I must say too!
Culturally, winter is at the center of so much life around here. So many memories about Winter. So long Winters. Skating on the river near my parents house when I was a kid… haven’t skated there since 1998…why? Because the ice hasn’t been thick enough to be safe to skate. Or there was just plain no ice at all. What about the ice fishing villages? What about hockey games outside? What about maple syrup…the sugar season has lost nearly a month in the past 10 years! This year it was a little more than 2 weeks. Spring won, Winter was too tired to fight back.’

Here in Manhattan, the leaves and flowers have been unfurling far, far ahead of schedule. The daffodils, usually in their prime by mid March have already come and gone in nearby Tompkins Square Park – a full month earlier than is usual. It didn’t take long for my sinuses to react to the the pollen billowing in from the park’s stately American Elm trees (Ulmus americana). These venerable giants, planted by the great Frederick Law Olmstead, still flourish in the city’s metropolitan parks long after their rural brethren have succumbed to the 20th century plague of Dutch Elm disease. On the island of Manhattan, the elms are protected by encircling rivers and a miles wide cordon sanitaire of buildings and pavement that prevents the elm bark beetle, which spreads the disease, from infecting them. It’s delightful to me that all those crushing tires and stomping feet are actually aiding conservation.

East Village spunk trees

As soon as the elm pollen fades, the cloying pong of Callery Pear (Pyrus calleryana) starts wafting through the East Village’s streets, the skeletal branches erupting into billowing, white flower clouds seemingly overnight, pushed into bloom by the strangely overheated breezes. Callery Pear is commonly known as the ‘spunk tree’ in these parts and the semen-like scent is strongest when the pollen starts going rancid after a bit of rain. The odor along St Mark’s place was particularly pungent this year, adding a whole other dimension to what some would say was an already rather skanky stretch of street. Once the trees stink themselves out, they become quite pleasant, bearing tiny Asian pears, from which my friend Marina Zurkow concocted  a delicious alcoholic drink, after we foraged for the fruits on the shores of Brooklyn, last November.

A close second in the ejaculatory odor department is the Ghetto Palm, (Ailanthus altissima), which is found throughout  the city’s waste places and terraines vagues. Thankfully it doesn’t flower till a fair bit later in the season!

How concerned should we be when the spring arrives so suddenly, so many weeks ahead of schedule? For someone like me, who hates extreme cold, this year’s eastern ‘non-winter’ should have seemed like a gift from the gods – a welcome break from the tedium of snow shoveling and galoshes. There have always been periods of aberrant weather – so why worry now?

The big picture on climate change is indeed concerning. Weather all over the planet has become increasingly extreme and records are being shattered left, right and center. The common denominator to all this chaos is  global warming and it seems clear we are at the beginning of an epic shift. A recent study published in the New Scientist predicted an average 3 degrees C rise in global temperatures by 2050 – a scenario far worse than even the direst projections of a few years ago.

In addition to the ecological and economic effects, I wonder what will be the psychological outcomes of such aberrant weather? A certain predictability to the seasons seems necessary for our sense of well-being and if we can’t take some consistency for granted anymore, would it be any surprise if some of us go a little nuts?

Though we might be ‘grieving a season’ now, what will it be like when we forget completely what was once considered ‘normal’ and settle into a state of climate amnesia?

On a recent visit to suburban Toronto, I reminisced with my elderly parents over photos taken during my childhood. Forty years ago, we skated every winter on the ice of the nearby river. It was always thick enough to support the weight of snow clearing tractors and kiosks selling hot chocolate. Such reliably cold conditions seem almost inconceivable in that region now, a climate reality resigned to a distant past. An entire generation has grown up there since with no experience of the joys and tribulations of a reliably frigid winter. Perhaps the climate will someday settle into a newer, hotter ‘normal,’ but in the meantime it seems we’ll have to endure the instability of the current  ‘abnormal,’ with plenty of unanticipated weirdness to come.

Vancouver Island style old growth forest liquidation

detail of a Japanese demon scroll from the Metropolitan Museum

I’m in New York again and have been here for a while. Right now, it’s about 3 pm, outside Washington Square Park, on the first day of 2012. A man wearing an expensive overcoat is projectile vomiting against a tree – a linden, I believe it is. An eager pug strains at its leash to lap up the mess, but the firm hand of his mistress snaps him back at the last instant.

New Year’s eve—the East Village was full of young women in spangly short skirts and tottery high heels, throwing up in the street and crying, while their boyfriends bellowed primal indignation at the indifferent, night air. Overhead, police helicopters rumbled and sirens caterwauled from all directions as Zuccotti Park, one of the city’s parsimoniously conceived ‘privately-owned public spaces’ got temporarily re-occupied by the anti-Wall Street protesters, before the riot-garbed might of New York’s finest wrested it back from the dangerous band of raw food enthusiasts and bicycle couriers (who posed such a clear and present threat to the security of this, the most powerful nation on earth), while each round of pepper spray and arm twist got live streamed into the ether by a hovering coterie of electro-pundits. All in all, it was a hell of an evening.

It’s been a long time since I’ve seen so much purging. It is said that Tibetan soothsayers and the Oracle of Delphi vomited after making their prognostications. The future made them sick, but then the past isn’t always so great either, and in 2011, the world seemed thoroughly to have gotten sick of itself. Though Occupy and the Arab Spring reminded us that entrenched, globalized systems of neo-Liberal economics and authoritarian government have (to quote Zizek) “lost their automatic legitimacy,” the outlook for the global environment has never, in the history of humanity, been so grim.

While some still pine for the evaporating American Dream, the opportunity to avert catastrophic climate change and forestall the extinction of countless fascinating species is slipping through our fingers like so many Styrofoam peanuts. Of course, at least subconsciously, we can all sense it, and to cope with the ubiquitous sensation of doom we sedate ourselves with apocalyptic pop culture, never more prevalent, as a casual perusal of Wikipedia’s listing on apocalyptically-themed video games will attest. These digital dystopias of burned out cities and smouldering, post-ecological terrains have infiltrated our optical-subconscious to the degree that we now feel increasingly at home in them, making the vestiges of the real, biological environment seem aberrant and atavistic.

You’re wondering now,
What to do,
Now you know,
This is the end.

Andy and Joey: Original Ska Version, 1964

Not to be outdone, I recently arranged my own ‘Apocalypse-athon’ watching Lars von Trier’s Melancholia and Jeff Nichols’ Take Shelter, more or less back-to-back, and I have to say the experience left me feeling strangely numb, as if someone had thoughtfully smeared Novocain on the insides of my wrists before handing me the X-acto knife to do myself in.

Let’s face it — contemplating the end of the world can give us a kind of frisson by stoking our anthropocentric egos, because after all, on some level, we would like to think the world will end with us. But that’s not likely to happen. There are plenty of tougher organisms out there who’d be happy to feed on our heaped, irradiated carcasses, while they watch us fade into geological history. Perhaps the rats and kudzu vines or whatever else moves in to take our place as the planet’s most visible organisms can work out a more sustainable contract with the planet than we did. One can only hope.

Barring all-out nuclear war or withering pandemic, our world, as we know it, will continue to diminish in increments —a forest here, a coral reef there, a watershed in some distant part of the world or maybe a bit closer to home.

A sad and perhaps typical small example of such ‘death by a thousand cuts,’ is taking place right now on Cortes Island— a mostly overlooked, densely forested blob of rock, off the inner coast of Vancouver Island, where I live part time. With its abundance of wild mushrooms, smurf-like New Age seniors and flaxen-haired hippie children, it can sometimes feel like living in the label of a Celestial Seasonings tea box, yet through good fortune and its reputation for a fierce culture of environmentalism, Cortes has been left with a few tracts of magnificent, old Coastal Douglas fir forest, a type of habitat largely extirpated from its former eastern Vancouver Island range. This enchanting ecosystem, where individual trees can tower to 200 feet, is the habitat of mountain lions, a unique maritime race of timber wolf, the endangered Queen Charlotte goshawk, rare bats, and an amazing diversity of fungi —some of them, such as the medicinally potent Agarikon, exclusively dependent on this age class and variety of tree.

Yet precisely because of their rarity, these large old trees are now valuable on the international timber market and have of late been under the acquisitive scrutiny of the corporate Eye of Sauron.

The Eye of Sauron

In a twist of globalized connectivity, Brookfield Asset Management, the company behind the eviction of the Occupy Wall Street protestors from New York’s Zuccotti Park (which they own) recently bought up much of Cortes Island’s standing inventory of mature forest, which also contains most of island’s remaining old growth, particularly of Douglas fir.

Brookfield markets its Island Timberlands division to potential investors as:

One of the best sources of large Douglas fir, hemlock and cedar in North America for a broad customer base primarily located in Asia and North America…

Brookfield’s business model is perfectly clear: buy up the last commercially available pockets of ancient forest and liquidate them for maximum profit. This is eco-cide, pure and simple, but there may be little the good people of Cortes can do about it, save for physically blockading the logging equipment as it arrives in, to delay what perhaps is inevitable. In British Columbia’s privately owned forest lands, property rights trump all other environmental and social concerns, a status quo the forest industry lobbied hard to achieve, with substantial contributions to the governing Liberal party, who rewarded them by gutting regulation and oversight in a revised Private Managed Forest Land Act.

As outlined in their prospectus:

Brookfield focuses on investments in the region with a strongly embedded concept of private property rights generally supported by effective legal and land title systems.

By effective, they of course mean ‘industry friendly’ and the legal system in British Columbia is definitely that. Yet 2011 was the year people the world over stopped seeing the property rights of corporations as ‘self-evident’ and ‘automatically legitimate,’ when such rights override the well-being of communities and the environment. That is what the OWS movement was all about. What Cortes needs right now, is a massive ‘Forest Occupy’ response from those committed to maintaining the integrity of the vanishing ancient Coastal Douglas fir ecosystem in the face of a determined corporate assault. But will the islanders be able to muster the hundreds of occupiers it will take to pull this off? We’ll have to wait and see. Island Timberland plans to start its operations later this January.

What we will lose

But what if Brookfield/IT prevails and logs off the venerable trees from its Cortes lands? To be sure, investors in its Timberlands private funds will get a little richer as the ships full of ancient logs ply their way across the Pacific and get fed into the maw of the Chinese construction industry. There is a painful symmetry in the fact that the profit squeezed from liquidating some of the last 1% of the original, ancient Douglas firs left on British Columbia’s coast will further line the pockets of society’s wealthiest 1%.

They probably won’t even notice. Environmentalists and bird-watchers will likely get a little more depressed as the sitings of Queen Charlotte goshawks and rare bats decline with the elimination of their prime breeding grounds, but even these people will start to focus on other things as the giant stumps sink slowly into the shrubby verdure of second growth. The timber company might even replant the ravaged land with industrially reared seedlings, each one secure under its own deer-resistant plastic cap. Gradually, what Jared Diamond calls ‘landscape amnesia’ will settle in and the degraded, industrially abused landscape will simply become ‘the new normal.’ And that to my mind is the greatest tragedy of all. We’ll lose something once basic to the human experience— the sense that a truly wild and ancient landscape can exist solely on its own terms, for everyone to appreciate, and not be sold out for the financial betterment of a wealthy few.

This is the way the world ends,
This is the way the world ends,
This is the way the world ends,
Not with a bang but a whimper…

T.S. Eliot – The Hollow Men

Scurrying demon